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Juliette Lacaze , born in south-east France, moved to Paris in the late s. Immensely beautiful with a strong personality, she worked in a cabaret in Montparnasse where she rubbed shoulders with the artistic avant-garde scene. Perhaps this is where she met Paul Guillaume, the dynamic up and coming art dealer? Madly in love with her, he married her in , nicknamed her Domenica and introduced her to Parisian high society. Marie Laurencin was one of the artists associated with Paul Guillaume and at the time was beginning her career in portrait painting. It is therefore not surprising that Domenica wanted her portrait painted, a symbol of renown and wealth. Marie Laurencin portrayed her seated, pensive and leaning slightly to one side.